포스트모더니즘 소설의 하이퍼텍스트 내러티브 : 보네것의 제5 도살장..

목차

1. 포스트모더니즘 소설과 컴퓨터의 만남, 하이퍼텍스트 픽션

2. 하이퍼텍스트의 정의와 기원

3. 하이퍼텍스트 픽션의 전사(前史), 등장, 그리고 유형

4. {제 5도살장}의 하이퍼텍스트 내러티브를 통해 살펴본 하이퍼텍스트 픽션의 특징
1) 비선형성과 동시성
2) 이야기 마디들의 파편성, 다중성, 인물의 다면성
3) 스토리/독서 매뉴얼
4) 독서로 만들기, 윈도우 소설, 다선형성, 독자의 선택과 참여

5. 책과 컴퓨터 사이에서

인용 문헌

**한글97

본문내용

인용 문헌
류현주. 『하이퍼텍스트 문학』. 김영사, 2000.
정형철. 「하이퍼텍스트 픽션에 관한 연구」 (http://home.pusan.ac.kr/~nma/papers/ 39/39_8.htm. 2002년 12월 5일 오전 11:58).
로버트 쿠버. 「하이퍼픽션: 컴퓨터를 위한 소설들」. 『외국문학』, 45호(1995): 69-81.
최혜실. 「디지털 서사의 미학」. 『디지털 시대의 문화예술』, 최혜실 엮음. 문학과 지성, 1999. 238-260.
Aarseth, Espen J. Cybertext: Perspectives on Ergodic Literature. Baltimore: Johns Hopkins UP, 1997.
Federman, Raymond. "Fiction in America Today or the Unreality of Reality." Indian Journal of American Studies 4(1984): 5-17.
Jameson, Frederic. Postmodernism or the Cultural Logic of Late Capitalism. Durham: Duke UP, 1991.
Klinkowitz, Jerome. Slaughterhouse-Five. Boston: Twayne, 1990.
Landow, George. Hypertext 2.0: The Convergence of Contemporary Critical Theory and Technology. Baltimore: Johns Hopkins UP, 1997.
Lundquist, James. Kurt Vonnegut. New York: Frederick Ungar, 1977.
McLuhan, Marshall. The Gutenberg Galaxy. Toronto: U of Toronto P, 1962.
Vonnegut, Kurt Jr. Slaughterhouse-Five or The Children's Crusade. New York: Delta, 1969.
Hypertextual Narrative of Postmodernist Fiction:
Kurt Vonnegut Jr.'s Slaughterhouse-Five
Abstract Inchan Pak (Sookmyung Women's University)
Since the first hypertext fiction, Michael Joyce's Afternoon, a Story, came out in 1987, hypertext literature has been gradually established as a new narrative mode of the new media age that film and computer have led. As it is well known, hypertext basically refers to a form of electronic text composed of blocks of text and the electronic links that join them, and hypertext fiction is a computer-based narrative mode in which those hypertextual links are actively and creatively applied to storytelling. But the major characteristics of hypertext fiction, as this paper argues, are not radically new at all. While it is true that a new information technology gave birth to computer hypertext, its major tenets and features fundamentally derived from the literary experiments of postmodern novelists who continued to explore the new possibilities of the novel against 'the death of the novel.' In this sense, the postmodern novelists might be called early hypertext novelists who had variously experimented hypertextual narrative with the printed books before computers were commonly used. And it might be said as well that computer hypertext fiction is a recent achievement that an encounter of postmodernist fiction and computer technology has brought and, at the same time, a continuation of postmodernist fiction.
This paper intends to explore a relationship between postmodernist fiction and hypertext fiction. After a brief introduction of hypertext fiction, it examines the hypertexuality of postmodernist fiction in Kurt Vonnegut Jr.'s Slaughterhouse-Five. In addition to discussing the major characteristics of hypertextual narrative in Vonnegut's novel, this paper goes further to imagine a form that the novel might take if it were reconstructed into computer hypertext fiction and compare the computer version with the original printed novel.

키워드

하이퍼텍스트,   소설