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As Robert Altman, the film director, said, “This is a movie about movies” (The Player). In the opening of The Player, the scene begins within a busy Hollywood studio itself, and the ending of The Player is the film that I just saw. There is no flashback or flashforward, but with compressed and ellipsis time narration, the story itself is infinity; it does not have beginning and ending.
As the director intended, I found many direct divisions of “reality” and “Hollywood” in this film. The examples are generally based on this; unlike “reality,” in Hollywood, they want everything perfect and fancy. Hollywood fantasy is not the true world, but that is what people desire because people will never get a dose of Hollywood’s reality in their “reality” I think.
The first thing that I recognized is that between the Rialto Theater in Pasadena and the Hollywood studio review room. Griffin went to the Rialto Theater to find David. The theater is somewhat grimy and the people who come to see the movie are dressed and looked like whom I can see next door.
As the director intended, I found many direct divisions of “reality” and “Hollywood” in this film. The examples are generally based on this; unlike “reality,” in Hollywood, they want everything perfect and fancy. Hollywood fantasy is not the true world, but that is what people desire because people will never get a dose of Hollywood’s reality in their “reality” I think.
The first thing that I recognized is that between the Rialto Theater in Pasadena and the Hollywood studio review room. Griffin went to the Rialto Theater to find David. The theater is somewhat grimy and the people who come to see the movie are dressed and looked like whom I can see next door.
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